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Like a fine 40-year old whisky, the layers on this record and influences are complex, nuanced & Layered. You might taste something different but here are my tasting notes...
The Nose - Notes of Bobby Cauldwell, Steely Dan, David Crosby a definite Sun Drenched yacht folk dram.
The Body - I can taste strong notes of Jimmy Webb and Aztec Camera not present on the nose, this a much deeper dram than initially nosed, I can see myself enjoying this in front of a warm fire.
Finish - Long finish on this one, I can taste the Miami tarmac, the Beach and salt water, the nightclubs and linen clothing, Don Johnson's dirty washing.
Whisky tasting over, both the albums this LP was compiled from were recorded at Coconuts recording Studio in Miami, notable for Miami Sound Machine recordings and Blood, Sweat and Tears. I have been into these for a long time and whilst not the rarest AOTN re-issue to date (although that may change now the words out) they deserve to be recognised for the solid LPs that they are. Just buy it and float away.
supported by 499 fans who also own “I Hope She Don't Hurt You”
Greg Foat has those moments when heart, colour, emotion, silence and sound are just in complete alignment.
That kind of harmony always hits home for me as it just creates a super warm and loving vibration.
Antonio’s Theme for example creates such a moment for me.
Funny enough I was just listening to the Honey Bear when I stumbled over this record. Talking about synchronicity. Thank you. Vikrant Kumar Thomas Junk
Freewheeling songs that draw clear inspiration from Afrobeat, blending darting horn charts with warm vocal melodies. Bandcamp New & Notable Aug 21, 2017
supported by 496 fans who also own “I Hope She Don't Hurt You”
I listened to Greg Foat before and really liked his waterfall-like piano style in the Hampshire and Foat Albums. On this album you'll also get to hear nice lyrics and a mixture between folk and jazz as well as the can-like drumming from the Heliocentrics' drummer. Yeah! StrangeFlow